This dystopian television series presents a horrifying, totalitarian society that forces women to bear children as slaves. We discuss its streaming based production and reception, and then turn to multiple articles on representation, politics, religion and intersectionality to try to provide a perspective the two of us might not normally find.
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This crime novel follows a wandering problem-solver who always wins. We discuss why these books are so immensely popular and the vicarious consolation we get out of the hero, his nobility and his alienation.
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This 1958 Orson Welles' picture has been called the last of the classic film noir era. We discuss Welles' approach to filmmaking, his conflicts with the movie studio and the thematic tensions displayed by the genre at the time. Oh, and Charlton Heston's makeup. That gets a good 10 minutes.
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This British comedy series is a deconstruction of humor in a jazz-like improvisation. We discuss Lee's persona, the BBC's decision-making process and the fine lines between self-absorption, art and masturbation. In fact, we take a masturbation metaphor way too far. So brace yourselves.
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