This deconstruction of the superhero genre was mired in legal debacles and intellectual property battles for decades before we could get a chance to read it. We look at that convoluted history, in light of Alan Moore's attempt to reimagine and criticize the themes of superhero comics.
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This eighteen-hour continuation of a beloved twenty-five year old television series evokes emotions of both love and hate. So we discuss how Mark Frost, David Lynch and Showtime made and distributed this project while adhering to the original themes of good-versus-evil and unconventional storytelling.
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This treatise on climate change argues that we should just accept that our civilization is going to die. We might survive however, by remembering our cultural heritage. We discuss Scranton's experience at war, as well as the variety of reactions to his claim that we should just confront our own mortality, even when we're posting to social media.
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We discuss the history of this influential record in light of the band's breakup and subsequent reformation. We also examine their rhetoric of anti-capitalism in relation to the production and distribution of this album.
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This 2008 military film claims to be about realism and a soldier's addiction to war. But we learn that despite writer Mark Boal and director Kathryn Bigelow's best intentions, it doesn't accurately reflect the experience of veterans.
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