Hosted by Charlie Bennett and Christian Sager.
Fed up with humanity? Does it seem like everyone is an asshole lately? Macon Blair's I Don't Feel At Home In This World Anymore may be just the film you need to watch. But... does Netflix's distribution make it less likely that a movie like this will be seen?
Additional Resources:
- I Don’t Feel at Home in This World Anymore Is a Dark, Goofy Neo-Noir
- Murder, Nunchucks and the Trump Era: Inside 'I Don't Feel at Home in This World Anymore'
- The Portland-Shot I Don't Feel at Home in This World Anymore Won the Grand Jury Prize at Sundance
- 'I Don't Feel at Home in This World Anymore': Macon Blair on Trying Directing After Success in Screenwriting
- 'I Don't Feel at Home in This World Anymore' Is a Hilarious, Surreal Movie About Amateur Vigilantes
- Feeling At Home With I DON’T FEEL AT HOME IN THIS WORLD ANYMORE
- Targeting Netflix, Cannes Will Ban Streaming-Only Movies From Competition
- How Netflix's Content Distribution Has Changed Over The Years
- Netflix is playing down the significance of its first major distribution deal in China
- Netflix Targeting 50% of Content to Be Original Programming, CFO Says
- Netflix just took another step toward getting its films into theaters
- Netflix Keeps Buying Great Movies, So It’s a Shame They’re Getting Buried
- Netflix will start screening original films in movie theaters
David Lapham's crime comic Stray Bullets demonstrates the challenges of working independently on creative art. Why did it take almost 20 years for this book to get the attention it deserves? We look into the economics of the comics industry to find out.
Additional Resources:
- Paste Magazine Is Dead
- Paste Magazine Freelancers Are Getting Screwed
- My (Re)generation: Paste's Nick Purdy on the Fall and Rise of a Music Magazine
- Paste Magazine Is Returning to Print
- Paste Magazine Returns To Print, Expands Online Coverage
- Dudeletter Interviews: Nick Purdy of Wild Heaven and Paste Magazine
- Paste Magazine Thrives Through Belt-Tightening
- Paste Magazine says goodbye to print
- More On Paste Magazine's Print-Side Demise: "We'd Been Running On Fumes For A Really Long Time, And We Ran Out Of Fumes."
- Paste Magazine President ‘Thinking Beyond Print’ With Site Relaunch
- Paste Succumbs to Debt, Suspends Print Magazine
- Paste music magazine to stop print publication
- New Paste TV Show Debuts Tonight!
- A conversation with Josh Jackson, on the eve of Paste’s return to print
- Rockers sue over sales of memorabilia: Led Zeppelin, the Doors and other musicians say Wolfgang's Vault has no right to profit from the vintage items.
- Company Overview of Wolfgang's Vault LLC
- Will Paste pay its writers?
With the many changes to the music industry, it doesn't seem possible for a band to rise to success after their first studio album like R.E.M. did with Murmur. We look at what made this artsy, floppy, jangle rock band tick and how The Police and MTV supported their rise to popularity.
Additional Resources:
- Bennett, L. (2013). Discourses of order and rationality: drooling R.E.M. fans as ‘matter out of place’. Continuum: Journal Of Media & Cultural Studies, 27(2), 214.
- Parker, J. (2012). America's Rock Band. Atlantic, 309(1), 44-46.
- Roberts, J. (2004). Athens act on track for gold. (cover story). Music Week, (34), 9-10.
- Maus, F. (2006). Intimacy and Distance: On Stipe's Queerness. Journal Of Popular Music Studies, 18(2), 191.
- R.E.M. Announce Murmur Deluxe Edition
- Murmur Trestle Information and Donations
- 100 Best Albums of the Eighties