This horror comic has achieved surprising success despite its gore and all the dead kids. We talk about the comic’s creation and promotion, and we ask “Is this all about trauma? Why aren’t people talking about that?”
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Something is Killing the Children
Sources
https://www.horrordna.com/features/james-tynion-iv-talks-something-is-killing-the-children-2
https://www.cbr.com/james-tynion-iv-on-the-horrors-of-something-is-killing-the-children/
https://www.cbr.com/something-is-killing-the-children-horror-halloween-reading/
https://sktchd.com/interview/sktchdxtinyonion-part-two-how-to-build-a-comic/
https://bleedingcool.com/comics/james-tynion-iv-teases-a-something-is-killing-the-children-spin-off/
https://www.pages-and-panels.com/articles-and-interviews/werther-dell-edera
https://www.howtolovecomics.com/2023/07/05/something-is-killing-the-children/
This sketch show mixes surreal humor, cringe comedy, and an everyman lead performer to craft an exploration of anxiety, status, and societal fear that still manages to make its audience laugh with joy. We talk about how and why the show was created, and whether it quiets or riles up our own anxieties.
Interested in the media we discussed this episode? Find it here on Netflix:
Sources:
"Is Tim Robinson the funniest man alive?" Independent [Online], 21 Oct. 2025.
"'I try to be repulsive': comedian Patti Harrison on why she likes to bait liberal audiences; The Ohio-raised star of movies and TV shows such as Shrill and I Think You Should Leave says comedy is a refuge from the impacts of being trans and that, right now, she's happy to be in the UK." Guardian [London, England], 16 Sept. 2022.
Anderson, Sam. "The Virtuoso of Cringe." The New York Times Magazine, 11 June 2023, p. 20(L). Gale General OneFile,
https://www.wired.com/story/i-think-you-should-leave-was-right/
https://www.vulture.com/2019/12/i-think-you-should-leave-focus-group-oral-history.html
https://collider.com/i-think-you-should-leave-tim-robinson-netflix-reddit-obsession/
The novels VALIS, The Divine Invasion, and The Transmigration of Timothy Archer by legendary science-fiction author Philip K. Dick comprise the unofficial VALIS trilogy. Published between 1978 and 1982, these books use psychedelic imagery, religious history, and psychological inquiry to create a portrait of American culture in the late 70s and early 80s. We try to unpack them against the backdrop of our contemporary situation to gain a little clarity on our middle age and growing paranoia.
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Sources:
https://philipdick.com/literary-criticism/interviews/horselover-fat-and-the-new-messiah/
https://web.archive.org/web/20130528112644/http://www.philipkdick.com/media_twilightzone.html
https://www.salon.com/2022/07/23/8-facts-about-philip-k-dick_partner/
John Boonstra: “Horselover Fat and The New Messiah” (Hartford Advocate April 22, 1981, p. 24
THE PSYCHEDELIC REINTERPRETATION OF CORPUS CHRISTI BY PHILIP K. DICK, Bogdan Trocha Dr. hab., Professor, University of Zielona Góra, Poland, Zielona Góra
This 1979 instrumental record is considered the beginning of ambient music by many of its listeners. We unpack Eno’s intentions behind the function of such music, while considering his goal of provoking his listeners to contemplate their own death. We also do our best to define Ambient Music for ourselves and resist the pull of academic dissection of artistic experimentation.
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Sources:
https://reverbmachine.com/blog/deconstructing-brian-eno-music-for-airports/
https://www.3ammagazine.com/litarchives/oct2001/interview_judy_nylon.html
https://www.loudersound.com/features/mad-as-tits-but-successful-a-brief-history-of-eg-records
http://music.hyperreal.org/artists/brian_eno/interviews/unk-78b.html
https://pitchfork.com/features/podcast/brian-eno-music-for-airports-review/
http://music.hyperreal.org/artists/brian_eno/interviews/musn79.html
Lysaker, J. T. (2018). Brian Eno’s Ambient 1: Music for airports. Oxford University Press. https://doi.org/10.1093/oso/9780190497293.001.0001
Cox C., Warner D., . (2004). Audio culture. New York: Continuum.
Albiez, S., & Pattie, D. (Eds.). (2016). Brian Eno: Oblique Music. Bloomsbury Academic.
Sheppard, David. On Some Faraway Beach : The Life and Times of Brian Eno, Chicago Review Press, Incorporated, 2009.
This 1981 horror/comedy film has achieved cult status within the film buff community, built the mold for horror comedies, and completely traumatized Charlie in his youth. Despite the controversies around its creator, it has become ripe for personal interpretations.
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An American Werewolf in London
Sources
https://davidmvining.wordpress.com/2024/07/24/an-american-werewolf-in-london/
https://itcamefromblog.com/2018/01/17/famous-monsters-aliens-a-chat-with-rick-baker-monster-maker/
https://kevingoetz360.com/george-folsey-jr-film-editing-art-of-the-fix/
https://www.theguardian.com/film/2021/aug/21/an-american-werewolf-in-london-1981-john-landis
https://reellifemonsters.wordpress.com/2024/10/23/american-werewolf-in-london-queer-or-camp/
Elder, R. K. (2011). The film that changed my life : 30 directors on their epiphanies in the dark /. Chicago Review Press.
Dietz, F., Bennett, J., Woodward, F. H., Weitz, S., & Maynard, R. (2021). Damn Dirty Geeks Talk Among Us!: Reflections on the classic films that make us geek out. Independently published.
Curran, A. (2003). Aristotelian Reflections on Horror and Tragedy in An American Werewolf in London and The Sixth Sense. Dark Thoughts. Philosophic Reflections on Cinematic Horror. Lanham, Maryland & Oxford: The Scarecrow Press inc, 47-64.
'AMERICAN WEREWOLF,' HORROR PLUS LAUGHS Aug. 21, 1981 The New York Times Archives
“A Meditation on ‘An American Werewolf in London’ The Old Horror Film from John Landis: A Queer Look,” Walter Holland, April 5, 2023
“An American Werewolf in London at 40: John Landis’s crafty creative peak,” The Guardian, Guy Lodge.
After being serialized in Heavy Metal magazine, this dystopian bio-punk comic was published as a beautiful book in 2010... and hardly anyone is talking about it now. We discuss the creators' intentions and hopes for the story, along with Heavy Metal's history, and Christian's youthful memories of Singapore.
Interested in the media we discussed this episode? Track it down from here:
Sources
https://www.zonanegativa.com/fluorescent-black-an-interview-with-m-f-wilson-and-nathan-fox/
https://variety.com/2007/film/news/imagi-plotting-fluorescent-black-1117975671/?jwsource=cl
https://livefromthedmz-blog.tumblr.com/post/18558447254/nathan-fox-interview
https://www.comicbox.com/index.php/news-english/fluorescent-black-the-graphic-novel/ (review with full Heavy Metal press release text)
https://readrant.wordpress.com/2010/09/27/review-fluorescent-black/
“A Challenge to Gene Theory, a Tougher Look at Biotech,” New York Times, July 1, 2007
Waldby, C. (2009). Singapore Biopolis: Bare Life in the City-State. East Asian Science, Technology and Society: An International Journal, 3(2–3), 367–383. https://doi.org/10.1215/s12280-009-9089-2
https://lareviewofbooks.org/article/a-history-of-cyberpunk-comics/
This television show, created by Sterlin Harjo and Taika Waititi, ran from 2021 to 2023, taking on themes like grief and indigenous identity with humor, inventive storytelling, and touching reminders of coming of age within a compassionate community.
Interested in the media we discussed this episode? Track it down from here:
Sources:
https://www.denofgeek.com/tv/reservation-dogs-the-real-story-of-okern-oklahoma/
https://deadline.com/2024/08/reservation-dogs-dpharaoh-woon-a-tai-interview-emmys-1236033993/
https://screenrant.com/reservation-dogs-original-5-season-plan-details/
https://www.huffpost.com/entry/reservation-dogs-authentic-native-moments_n_64c5771fe4b03ad2b898c325
https://www.npr.org/2022/08/08/1115613218/reservation-dogs-indian-native-american-hulu
https://www.salon.com/2021/08/09/reservation-dogs-fx-hulu-taika-waititi-sterlin-harjo/
This 2020 novel by Native American author Stephen Graham Jones mixes literary explorations of indigenous peoples' identity with slasher-film tropes, making it his first novel with mainstream success. Did Jones change something about his writing to get there, or did the literary world catch up to him? We discuss how history, symbols, and context fit into his project while asking, "Why did the literary establishment like this so much?"
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Sources:
https://blog.nativehope.org/native-american-animals-the-elk-a-protector-and-relative
https://www.cbsnews.com/colorado/news/stephen-graham-jones-the-only-good-indians-interview/
https://www.npr.org/2020/07/16/891433693/grief-and-guilt-spawn-horrors-in-the-only-good-indians
https://journals.kent.ac.uk/index.php/transmotion/article/view/266/900
https://blog.nativehope.org/native-american-animals-the-elk-a-protector-and-relative
ERIC GARY ANDERSON, et al. “Demon Theory for Beginners, or The Intertextual Badlands of Stephen Graham Jones.” Postindian Aesthetics, University of Arizona Press, 2022, pp. 165-, https://doi.org/10.2307/j.ctv2c3k193.24.
Washuta, Elissa and Warburton, Theresa. Shapes of Native Nonfiction: Collected Essays by Contemporary Writers, Seattle, WA: University of Washington Press, 2019.
Schaak, Hogan D. "Bleeding All over the Shelves and Tracking It Out into the World: Theorizing Horror in the Indigenous North American Novels The Only Good Indians and Empire of Wild." Studies in the Fantastic, vol. 15, 2023, p. 94-126.
Fugazi, the legendary post-punk band, released Repeater, their first full-length record in 1990, and it still feels relevant today. We talk about the DIY ethic of the band and its label, and how they recorded a thematically unified collection of songs that is still interpreted in deeply personal ways by listeners who weren't alive when it came out.
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Sources:
Christian and Charlie have a couple things to say.
This podcast ran independently from 2016 to 2020. We reflect on our goals in creating it and how successful those were while trying to be transparent about the ins and outs of podcast production, marketing, and monetization.
This graphic novel by Alan Moore and Eddie Campbell came out between 1989 and 1998, 100 years after the Jack the Ripper murders it's based on. We look at the meticulous research they put into this to try to understand how this story manages to be about true crime while indulging in deep themes like English identity, psychogeography, and the nature of time.
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This 1995 film by Michael Mann is considered a quintessential cops-and-robbers epic. We look at Mann's attention to detail and his attempt at authenticity in light of the movie's influence on audiences, filmmakers, and real-life criminals.
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This 1985 concept album by Kate Bush is split into pop songs and a suite of music about someone drowning. We look at Bush's career arc leading up to this record and how the support she received from those around her allowed to experiment and create this wholly unique music.
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Dan Simmon's 1989 science-fiction novel is acclaimed for its unique structure, references, and style. We take a closer look at how it interrogates our expectations of genre to explore a complex host of themes. Thank you to Chris Marlton for coproducing this episode.
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This 1987 film is celebrated as a cult classic for its depiction of self-destructive young Englishmen at the end of the 1960s. We discuss how creator Bruce Robinson got it made, and whether it congratulates its characters for their alcoholism or criticizes their generation and the end of that era of British culture.
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This 1962 novel is being reappraised by critics and fans as a creeping meditation on 1950s housewives, agoraphobia, and good old-fashioned New England persecution.
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This 1945 children’s book by Tove Jansson began a publishing empire in Finland that is worth millions of dollars. We look at Jansson’s beloved allegory about a world where a family survives turmoil and everyone is accepted for who they are.
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This 2001 record is praised as being metal for the thinking man. We peel back the lyrics and the time signatures to understand why this band inspires an almost-religious devotion in its fans.
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This comic book series by Brian K. Vaughan and artist Cliff Chiang started in 2015 as a story about four preteen girls coming of age in the 80s. We look into how the creators produced the comic while examining their skepticism of nostalgia in a post-Stranger-Things world.
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This 2019 series of Gizmodo articles and videos by Kashmir Hill look into how difficult it actually is to stop using The Stacks: Google, Amazon, Facebook, Apple, and Microsoft. We place Hill’s research within our larger understanding of Big Tech and media literacy while listening to arguments for tech regulation or simply scaling back.
Additional Resources:
This epic 1970s manga series is celebrated for its influence on other stories. We look at the conditions that produced it and how the comic represents Japanese history, revenge, gender, and the irredeemable hero on the road to Hell.
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This 1975 rock album began to define Rush’s identity after the late Neil Peart joined the band on drums and lyrics. We look at how they treated their band as a business to try to understand the particular blend of instrument solos and libertarian ideology that later defined them.
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This 2013 novel generated a cantankerous debate in the world of literary criticism over the quality of fiction and how we define it. We look at Tartt's writing process and themes to try to understand whether this book deserved the praise and awards it received.
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