Every year science fiction writer and futurist Bruce Sterling gives a “state of the world” presentation at SXSW Interactive. We consider his remarks from this year and what they mean for politics, social media and surveillance.
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We go to the vault in this episode, pulling out our take on True Detective’s second season. Is “it all” Nic Pizzolatto? And if so, do both the blame and accolades lay at his feet?
While talking about the dark fantasy comic “Locke and Key,” we get drawn into the complicated media world surrounding adaptations and monetization. Are comics the best engine for creative, collaborative storytelling? We look at Joe Hill and Gabriel Rodriguez’s partnership to find out.
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Looking back on the television series HANNIBAL, we’re enamored with its attention to detail. But how did this gruesome slash fiction make its way to network television? Charlie thinks it’s because this is a “wet” show. Christian thinks it’s Bryan Fuller performing a miracle.
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In anticipation of the Nick Cave and the Bad Seeds album “Skeleton Tree” and its accompanying documentary “One More Time With Feeling,” we discuss the tragedy of losing a child and its effect on art, performance and persona.
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